Although we tend to think of television primarily as a household fixture, TV monitors outside the home are widespread: in bars, laundromats, and stores; conveying flight arrival and departure times in airports; uniting crowds at sports events and allaying boredom in waiting rooms; and helping to pass the time in workplaces of all kinds. In Ambient Television Anna McCarthy explo...(展开全部)

Get a life,' William Shatner told Star Trek fans. Yet, as Textual Poachers argues, fans already have a life,' a complex subculture which draws its resources from commercial culture while also reworking them to serve alternative interests. Rejecting stereotypes of fans as cultural dupes, social misfits, and mindless consumers, Jenkins represents media fans as active producers ...(展开全部)

Get a life,' William Shatner told Star Trek fans. Yet, as Textual Poachers argues, fans already have a life,' a complex subculture which draws its resources from commercial culture while also reworking them to serve alternative interests. Rejecting stereotypes of fans as cultural dupes, social misfits, and mindless consumers, Jenkins represents media fans as active producers an...(展开全部)

Get a life,' William Shatner told Star Trek fans. Yet, as Textual Poachers argues, fans already have a life,' a complex subculture which draws its resources from commercial culture while also reworking them to serve alternative interests. Rejecting stereotypes of fans as cultural dupes, social misfits, and mindless consumers, Jenkins represents media fans as active producers ...(展开全部)

Featuring a wealth of never-before-published NASA photographs, charts, stories, and contributions by NASA astronauts and experts, Space: A Visual Encyclopedia is a comprehensive exploration of space from our nearest planets and stars to far-off galaxies.

Traditionally the "Chinese body" was approached as a totality and explained by sweeping comparisons of the differences that distinguished Chinese examples from their Western counterparts. Recently, scholars have argued that we must look at particular examples of Chinese images of the body and explore their intrinsic conceptual complexity and historical specificity. The twelve...(展开全部)

This fascinating examination of visual experience offers an explanation and assessment of the traditional means of analyzing visual culture. Most of our experience is visual--we obtain most of our information and knowledge through sight, whether from reading books and newspapers, from watching television, or from quickly glimpsing road signs. Many of our judgments and decisions...(展开全部)

This innovative collection of essays offers exciting new research and thoughtful reflection on the subject of visual culture and its relationship to art history. Brings together innovative scholarship by major scholars. Engages with cross-cultural questions, asking if attention to visual culture is a western preoccupation. Draws on a wide range of cultures, locations and hist...(展开全部)

Almost thirty years ago, W. J. T. Mitchell’s "Iconology" helped launch the interdisciplinary study of visual media, now a central feature of the humanities. Along with his subsequent "Picture Theory" and "What Do Pictures Want?", Mitchell’s now-classic work introduced such ideas as the pictorial turn, the image/picture distinction, the metapicture, and the biopicture. These key...(展开全部)

作者： 斯科特·麦夸尔（Scott McQuire），澳大利亚墨尔本大学文化与传播学院媒体与传播学教授，公共文化研究中心创办人，2013年当选澳大利亚人文科学院院士。出版7本专著，发表100多篇论文等，主持9个澳大利亚研究委员会科研项目。专著《媒介城市》曾获2009年城市传播基金会简·雅各布斯奖。 译者： 潘霁，复旦大学新闻学院教授，信息传播研究中心研究员，新加坡南洋理工大学新媒体研究小组博士后研究员，美国南卡罗莱纳大学博士。主要研究兴趣包括：数字媒体技术对于城市公共生活的影响，城市传播中的信任与社会资本，以及数字传播研究方法创新等。